You Are Here Let Me Hear You
You Are Here Let Me Hear You

2017, Cotton embroidery on felt, Microphone, wood. Approx. 7ft x 3ft x 3ft. Installation occurred over a period of 12 hours on the National Mall.

Photo by Kristin Adair.

You Are Here Let Me Hear You
You Are Here Let Me Hear You

2017, Cotton embroidery on felt, Microphone, wood. Approx. 7ft x 3ft x 3ft. Installation occurred over a period of 12 hours on the National Mall.

Photo by Kristin Adair. 

You Are Here Let Me Hear You
You Are Here Let Me Hear You

2017, Cotton embroidery on felt, Microphone, wood. Approx. 7ft x 3ft x 3ft. Installation occurred over a period of 12 hours on the National Mall.

Photo Kristin Adair.

Wash
Wash

2018, Textile, metal container, canvas dropcloth, clothespins, red dye, 90 minute performance of washing garments in red dye and progressively hanging them up to dry. In collaboration with Georgia Saxelby. 2 garments also left with work.

Photography by Antonius Bui.

Wash
Wash

2018, Textile, metal container, canvas dropcloth, clothespins, red dye, 90 minute performance of washing garments in red dye and progressively hanging them up to dry. In collaboration with Georgia Saxelby. 2 garments also left with work.

Photography by Antonius Bui.

Wash
Wash

2018, Textile, metal container, canvas dropcloth, clothespins, red dye, 90 minute performance of washing garments in red dye and progressively hanging them up to dry. In collaboration with Georgia Saxelby. 2 garments also left with work.

Photography by Antonius Bui.

Wash
Wash

2018, Textile, metal container, canvas dropcloth, clothespins, red dye, 90 minute performance of washing garments in red dye and progressively hanging them up to dry. In collaboration with Georgia Saxelby. 2 garments also left with work.

Photography by Antonius Bui.

Wash
Wash

2018, Textile, metal container, canvas dropcloth, clothespins, red dye, 90 minute performance of washing garments in red dye and progressively hanging them up to dry. In collaboration with Georgia Saxelby. 2 garments also left with work.

Photography by Antonius Bui.

Je Tisse Mon Histoire
Je Tisse Mon Histoire

2018, 120 minute performance, embroidery floss, graphite powder, white menswear shirt, linen, backstrap loom. Based on the double meaning of the French word for “story” and “history,” performance involves unthreading embroidered text into abstracted textile. 

Photos by Georgia Saxelby.

Je Tisse Mon Histoire
Je Tisse Mon Histoire

2018, 120 minute performance, embroidery floss, graphite powder, white menswear shirt, linen, backstrap loom. Based on the double meaning of the French word for “story” and “history,” performance involves unthreading embroidered text into abstracted textile. 

Photos by Georgia Saxelby.

Je Tisse Mon Histoire
Je Tisse Mon Histoire

2018, 120 minute performance, embroidery floss, graphite powder, white menswear shirt, linen, backstrap loom. Based on the double meaning of the French word for “story” and “history,” performance involves unthreading embroidered text into abstracted textile. 

Photos by Georgia Saxelby.

You Are Here Let Me Hear You
You Are Here Let Me Hear You
You Are Here Let Me Hear You
Wash
Wash
Wash
Wash
Wash
Je Tisse Mon Histoire
Je Tisse Mon Histoire
Je Tisse Mon Histoire
You Are Here Let Me Hear You

2017, Cotton embroidery on felt, Microphone, wood. Approx. 7ft x 3ft x 3ft. Installation occurred over a period of 12 hours on the National Mall.

Photo by Kristin Adair.

You Are Here Let Me Hear You

2017, Cotton embroidery on felt, Microphone, wood. Approx. 7ft x 3ft x 3ft. Installation occurred over a period of 12 hours on the National Mall.

Photo by Kristin Adair. 

You Are Here Let Me Hear You

2017, Cotton embroidery on felt, Microphone, wood. Approx. 7ft x 3ft x 3ft. Installation occurred over a period of 12 hours on the National Mall.

Photo Kristin Adair.

Wash

2018, Textile, metal container, canvas dropcloth, clothespins, red dye, 90 minute performance of washing garments in red dye and progressively hanging them up to dry. In collaboration with Georgia Saxelby. 2 garments also left with work.

Photography by Antonius Bui.

Wash

2018, Textile, metal container, canvas dropcloth, clothespins, red dye, 90 minute performance of washing garments in red dye and progressively hanging them up to dry. In collaboration with Georgia Saxelby. 2 garments also left with work.

Photography by Antonius Bui.

Wash

2018, Textile, metal container, canvas dropcloth, clothespins, red dye, 90 minute performance of washing garments in red dye and progressively hanging them up to dry. In collaboration with Georgia Saxelby. 2 garments also left with work.

Photography by Antonius Bui.

Wash

2018, Textile, metal container, canvas dropcloth, clothespins, red dye, 90 minute performance of washing garments in red dye and progressively hanging them up to dry. In collaboration with Georgia Saxelby. 2 garments also left with work.

Photography by Antonius Bui.

Wash

2018, Textile, metal container, canvas dropcloth, clothespins, red dye, 90 minute performance of washing garments in red dye and progressively hanging them up to dry. In collaboration with Georgia Saxelby. 2 garments also left with work.

Photography by Antonius Bui.

Je Tisse Mon Histoire

2018, 120 minute performance, embroidery floss, graphite powder, white menswear shirt, linen, backstrap loom. Based on the double meaning of the French word for “story” and “history,” performance involves unthreading embroidered text into abstracted textile. 

Photos by Georgia Saxelby.

Je Tisse Mon Histoire

2018, 120 minute performance, embroidery floss, graphite powder, white menswear shirt, linen, backstrap loom. Based on the double meaning of the French word for “story” and “history,” performance involves unthreading embroidered text into abstracted textile. 

Photos by Georgia Saxelby.

Je Tisse Mon Histoire

2018, 120 minute performance, embroidery floss, graphite powder, white menswear shirt, linen, backstrap loom. Based on the double meaning of the French word for “story” and “history,” performance involves unthreading embroidered text into abstracted textile. 

Photos by Georgia Saxelby.

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